This exhibition marks the culmination of work which Williams began during a three- month residency at Aberystwyth Arts Centre. Initially consisting of drawings, photographs, notes and ideas it has transformed into prints and large-scale works produced specifically for Chapter.

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Mermaid & Monster will be presenting their artists at the Artes Mundi offices, Cardiff.
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Open session for local artists and those that would like to try their hand at life drawing.

Every Monday - 5.30pm - 7pm - £5.00pp
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Open session for local artists and those that would like to try their hand at life drawing.

Every Thursday Nos Da Hostel

8pm - 9.30pm
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Open life drawing sessions at 5.30 and again at 7pm at 10 Feet Tall
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Artists : Browser Making
Join the make do and mend revolution
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Life Drawing sessions at Garth Olwg Lifelong Learning Centre, Pontyridd, RCT, Wales. 5 mins from University of Glamorgan, Treforest.
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The Institute of Critical Zoologists (ICZ) works with artists, scientists and researchers to develop a critical approach to the zoological gaze. Motivated by current ecological concerns, the heart of its practice addresses the human regard for animals as conveyors of meaning with values that are both culturally and politically specific.
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Martin Parr and Tom Wood first exhibited The Last Resort at the Open Eye Gallery, Liverpool, in 1986. The show brought images of New Brighton, a beach resort located just across the river Mersey, to the walls of the gallery and to public and critical attention. These photographs came to
establish the place of colour in British documentary photography.
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Sometimes, the most unexpected places seem to encompass the whole of human experience. Caravan visits one such place. Tree lined and isolated, the caravan park of Flatenbadet consists of rows of static caravans that the long term residents call home. They are also the main protagonists of this photographic story.

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Timed to coincide with the 30th anniversary of the Falklands/Malvinas war, Voices of the South Atlantic examines issues of war and its consequences. Rooted in the 1982 Falklands/Malvinas conflict, it includes the voices of people who fought on both sides, as well as civilians who were directly affected. Colour photographs of landscapes of the islands and black and white seascapes of the South Atlantic, act as visual metaphors that allude to feelings of menace, courage and fear, at the same time showing physical traces of war.
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